The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 31
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
Pagina 42
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
Pagina 106
... hand , they cannot be seen as a whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it ...
... hand , they cannot be seen as a whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth