The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 31
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
Pagina 42
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
Pagina 58
... hand - a symbolic capture . The true function of concepts is to point or to indicate . Science is con- cerned not with things but with the system of signs it can substitute for things . Art , on the other hand , urged by a magnificent ...
... hand - a symbolic capture . The true function of concepts is to point or to indicate . Science is con- cerned not with things but with the system of signs it can substitute for things . Art , on the other hand , urged by a magnificent ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth