The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 106
... hollow space- is to take a portion of the picture and see whether , in isolation , it is enough to represent something fully . On a canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is ...
... hollow space- is to take a portion of the picture and see whether , in isolation , it is enough to represent something fully . On a canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is ...
Pagina 112
... hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and ...
... hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and ...
Pagina 113
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth