The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 9
... human forms and fates . As soon as purely aesthetic elements predominate and the story of John and Mary grows ... human destinies as a work of art presents or o narrates a very different thing from true artistic pleasure , but ...
... human forms and fates . As soon as purely aesthetic elements predominate and the story of John and Mary grows ... human destinies as a work of art presents or o narrates a very different thing from true artistic pleasure , but ...
Pagina 17
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . " In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities — a ...
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . " In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities — a ...
Pagina 20
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth