The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Pagina 20
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
Pagina 21
In his escape from the human world the young artist cares less for the " terminus
ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , "
the human aspect which he destroys . The question is not to paint something ...
In his escape from the human world the young artist cares less for the " terminus
ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , "
the human aspect which he destroys . The question is not to paint something ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |