The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 11
Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys ...
Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys ...
Pagina 20
the painter is bungling and fails to render the natural ( natural human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less ...
the painter is bungling and fails to render the natural ( natural human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less ...
Pagina 21
Even in the most abstract ornamental line a stubborn reminiscence lurks of certain " nat- ural " forms Secondly - and this is the crucial point -the art of which we speak is inhuman not only because it contains no things human , but ...
Even in the most abstract ornamental line a stubborn reminiscence lurks of certain " nat- ural " forms Secondly - and this is the crucial point -the art of which we speak is inhuman not only because it contains no things human , but ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth