The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
Pagina 35
idea from the thing . ... The idea remains a bare pattern , a sort of scaffold with
which we try to get at reality . ... If we now invert the natural direction of this
process ; if , turning our back on alleged reality , we take the ideas for what they
are ...
idea from the thing . ... The idea remains a bare pattern , a sort of scaffold with
which we try to get at reality . ... If we now invert the natural direction of this
process ; if , turning our back on alleged reality , we take the ideas for what they
are ...
Pagina 36
From painting things , the painter has turned to painting ideas . He shuts his eyes
to the outer world and concentrates upon the subjective images in his own mind .
Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
From painting things , the painter has turned to painting ideas . He shuts his eyes
to the outer world and concentrates upon the subjective images in his own mind .
Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth