The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things, that
we form ideas about them. We possess of reality, strictly speaking, nothing but
the ideas we have succeeded in forming about it. These ideas are like a ...
The relation between our mind and things consists in that we think the things, that
we form ideas about them. We possess of reality, strictly speaking, nothing but
the ideas we have succeeded in forming about it. These ideas are like a ...
Pagina 35
idea from the thing. The real thing always overflows the concept that is supposed
to hold it. An object is more and other than what is implied in the idea of it. The
idea remains a bare pattern, a sort of scaffold with which we try to get at reality.
idea from the thing. The real thing always overflows the concept that is supposed
to hold it. An object is more and other than what is implied in the idea of it. The
idea remains a bare pattern, a sort of scaffold with which we try to get at reality.
Pagina 36
Expressionism, cubism, etc., are— in varying degree—attempts at executing this
decision. From painting things, the painter has turned to painting ideas. He shuts
his eyes to the outer world and concentrates upon the subjective images in his ...
Expressionism, cubism, etc., are— in varying degree—attempts at executing this
decision. From painting things, the painter has turned to painting ideas. He shuts
his eyes to the outer world and concentrates upon the subjective images in his ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |