The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 34
... ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it . These ideas are like a belvedere from which we behold the world . Each new idea , as Goethe put it , is like a ...
... ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it . These ideas are like a belvedere from which we behold the world . Each new idea , as Goethe put it , is like a ...
Pagina 36
... ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas of ideas , but dramas among pseudo persons symbolizing ideas . In Pirandello's work ...
... ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas of ideas , but dramas among pseudo persons symbolizing ideas . In Pirandello's work ...
Pagina 155
... Ideas are al- ways too close to our whim , are obedient to it- they are always revocable . We have , no doubt , increasingly to live with ideas - but we must stop living from our ideas and learn to live from our inexorable , irrevocable ...
... Ideas are al- ways too close to our whim , are obedient to it- they are always revocable . We have , no doubt , increasingly to live with ideas - but we must stop living from our ideas and learn to live from our inexorable , irrevocable ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth