The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 80
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . .The reader's thirst for dramatic action has subsided with the ...
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . .The reader's thirst for dramatic action has subsided with the ...
Pagina 85
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
Pagina 86
... imaginary life . This seems to me the cause of the enormous diffi- culty - if not impossibility - of writing a good histori- cal novel . The aspiration that the imagined cosmos shall at the same time be historically correct leads to a ...
... imaginary life . This seems to me the cause of the enormous diffi- culty - if not impossibility - of writing a good histori- cal novel . The aspiration that the imagined cosmos shall at the same time be historically correct leads to a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth