The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 85
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
Pagina 92
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
Pagina 93
... IMAGINARY PSYCHOLOGY These notes on the novel have so resolutely an air of being interminable that it becomes necessary to cut them short . One more step would prove fatal . So far they have moved on a plane of ample gener- ality ...
... IMAGINARY PSYCHOLOGY These notes on the novel have so resolutely an air of being interminable that it becomes necessary to cut them short . One more step would prove fatal . So far they have moved on a plane of ample gener- ality ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth