The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 46
... importance . For a real understanding of what is happening let us compare the role art is playing today with the ... important for two reasons : on account of its subjects which dealt with the profoundest prob- lems of humanity , and ...
... importance . For a real understanding of what is happening let us compare the role art is playing today with the ... important for two reasons : on account of its subjects which dealt with the profoundest prob- lems of humanity , and ...
Pagina 59
... important part . Later it appeared that what really matters is not the story which is told but that the story ... importance corroborate this belief . ) In that case the novel would , strictly speak- ing , not have changed ; its present ...
... important part . Later it appeared that what really matters is not the story which is told but that the story ... importance corroborate this belief . ) In that case the novel would , strictly speak- ing , not have changed ; its present ...
Pagina 137
... importance ; the important thing for them is to discover that they were ignorant of them in good faith , with the result that they must become doubtful of their good faith . Strictly , all these observa- tions are comprised in one ...
... importance ; the important thing for them is to discover that they were ignorant of them in good faith , with the result that they must become doubtful of their good faith . Strictly , all these observa- tions are comprised in one ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth