The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 12
... individual . Even so he may achieve nothing ; but he is much more likely to fail if he insists on composing another Wagnerian opera , another naturalistic novel . ] In art repetition is nothing . Each historical style can engender a ...
... individual . Even so he may achieve nothing ; but he is much more likely to fail if he insists on composing another Wagnerian opera , another naturalistic novel . ] In art repetition is nothing . Each historical style can engender a ...
Pagina 40
... individual sensibility and already existing art . He does not find himself all alone with the world before him ; in his relations with the world there always intervenes , like an interpreter , the artistic tradition . What will the ...
... individual sensibility and already existing art . He does not find himself all alone with the world before him ; in his relations with the world there always intervenes , like an interpreter , the artistic tradition . What will the ...
Pagina 132
... individual pressure upon the world : the world is the no less definite and individual resistance to that pressure . A man - that is , his soul , his gifts , his character , his body - is the sum of organs by which his life is lived ; he ...
... individual pressure upon the world : the world is the no less definite and individual resistance to that pressure . A man - that is , his soul , his gifts , his character , his body - is the sum of organs by which his life is lived ; he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth