The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 18
... those who produce this art but also those who are capable of perceiving purely artistic values . against the multiplicity of special directions and individual works , 18 We shall soon see the unexpected use which the ...
... those who produce this art but also those who are capable of perceiving purely artistic values . against the multiplicity of special directions and individual works , 18 We shall soon see the unexpected use which the ...
Pagina 115
... individual , but they differ from sensations in that their content - the ideated -is unreal and sometimes even impossible . When I conceive a strictly geometrical cylinder , my thought is an effective act that takes place in me ; but ...
... individual , but they differ from sensations in that their content - the ideated -is unreal and sometimes even impossible . When I conceive a strictly geometrical cylinder , my thought is an effective act that takes place in me ; but ...
Pagina 146
... individual , is obviously composed of numerous generic ingredients . However much of an individual you may be , my dear friend , you have to be a man , to be a German or 146.
... individual , is obviously composed of numerous generic ingredients . However much of an individual you may be , my dear friend , you have to be a man , to be a German or 146.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth