The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 140
... inner destiny sets it . 4 It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and ...
... inner destiny sets it . 4 It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and ...
Pagina 168
... inner world . That is why the animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue ...
... inner world . That is why the animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue ...
Pagina 169
... inner world for himself . From this inner world he emerges and returns to the outer , but he returns as protagonist , he returns with a self which he did not possess be- fore - he returns with his plan of campaign : not to let himself ...
... inner world for himself . From this inner world he emerges and returns to the outer , but he returns as protagonist , he returns with a self which he did not possess be- fore - he returns with his plan of campaign : not to let himself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth