The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 64
... inner problems . The author and his audience enjoy not so much the passions and the consequent dramatic entangle- ments of the personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of ...
... inner problems . The author and his audience enjoy not so much the passions and the consequent dramatic entangle- ments of the personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of ...
Pagina 95
... inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be sociological . The dose of alien elements a ...
... inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be sociological . The dose of alien elements a ...
Pagina 140
... inner destiny sets it . It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and abstract ...
... inner destiny sets it . It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and abstract ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth