The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 15
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
Pagina 79
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
Pagina 83
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth