The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 29
... invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which is there by itself , the continents of his imagination . Author derives from auctor , he ...
... invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which is there by itself , the continents of his imagination . Author derives from auctor , he ...
Pagina 42
... invent new forms . And the same applies to literature , only more so . Cicero still said “ latine loqui ” for “ speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . ” For too many ...
... invent new forms . And the same applies to literature , only more so . Cicero still said “ latine loqui ” for “ speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . ” For too many ...
Pagina 80
... invent great new plots . As I see it , they need not be upset . A bit of movement and tension will do . But this bit is in- dispensable . Proust has demonstrated the necessity of movement by writing a paralytic novel . THE NOVEL AS ...
... invent great new plots . As I see it , they need not be upset . A bit of movement and tension will do . But this bit is in- dispensable . Proust has demonstrated the necessity of movement by writing a paralytic novel . THE NOVEL AS ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth