The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 15
... less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the ...
... less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the ...
Pagina 22
... less than genius . " Reality " constantly waylays the artist to prevent his flight . Much cunning is needed to effect the sublime escape . A reversed Odysseus , he must free himself from his daily Penelope and sail through reefs and ...
... less than genius . " Reality " constantly waylays the artist to prevent his flight . Much cunning is needed to effect the sublime escape . A reversed Odysseus , he must free himself from his daily Penelope and sail through reefs and ...
Pagina 76
... less either . But this is not the accepted belief . A suggestive plot is generally regarded as one of the decisive aesthetic factors of which there cannot be too much in a novel . Whereas I believe that action , as it is a merely ...
... less either . But this is not the accepted belief . A suggestive plot is generally regarded as one of the decisive aesthetic factors of which there cannot be too much in a novel . Whereas I believe that action , as it is a merely ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth