The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 22
construct something that is not a copy of " nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . " Reality " constantly waylays the artist to prevent his flight .
construct something that is not a copy of " nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . " Reality " constantly waylays the artist to prevent his flight .
Pagina 43
The waggery may be more or less refined , it may run the whole gamut from open clownery to a slight ironical twinkle , but it is always there . And it is not that the content of the work is comical - that would mean a relapse into a ...
The waggery may be more or less refined , it may run the whole gamut from open clownery to a slight ironical twinkle , but it is always there . And it is not that the content of the work is comical - that would mean a relapse into a ...
Pagina 174
Which means nothing less than the tremendous fact that , unlike all other beings in the universe , man can never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish .
Which means nothing less than the tremendous fact that , unlike all other beings in the universe , man can never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth