The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 110
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
Pagina 111
... light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a man of disdainful genius , resolved to have no interest in bodies , to deny their pretensions ...
... light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a man of disdainful genius , resolved to have no interest in bodies , to deny their pretensions ...
Pagina 112
... lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round ... light , to pure sparks of color . On the other hand , his picture may be viewed from a single point of view , as a ...
... lights on something , it does not fix upon it , and , consequently , that something is converted , not into a round ... light , to pure sparks of color . On the other hand , his picture may be viewed from a single point of view , as a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth