The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina
... literary and philosophical reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported the Republic , he left Spain at the outbreak of the civil war in ...
... literary and philosophical reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported the Republic , he left Spain at the outbreak of the civil war in ...
Pagina 53
... literary genre of the novel . When I hear a friend , particularly if he is a young writer , calmly announce that he is working on a novel I am appalled , and I feel that in his case I should be trembling in my boots . Perhaps I am wrong ...
... literary genre of the novel . When I hear a friend , particularly if he is a young writer , calmly announce that he is working on a novel I am appalled , and I feel that in his case I should be trembling in my boots . Perhaps I am wrong ...
Pagina 54
... literary work belongs to a genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain ...
... literary work belongs to a genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth