The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 15
... live " the scene , he ob- serves it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying man's best friend ...
... live " the scene , he ob- serves it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying man's best friend ...
Pagina 125
... live on it . Can we live on our classics today ? Is not Europe suffering from a strange proletarization ? The breakdown of the university in the face of men's present needs - the tremendous fact that the university has ceased to be a ...
... live on it . Can we live on our classics today ? Is not Europe suffering from a strange proletarization ? The breakdown of the university in the face of men's present needs - the tremendous fact that the university has ceased to be a ...
Pagina 177
... Live alertly , " which would have been good ; but , " Live dangerously . " And this shows that Nietzsche , despite his genius , did not know that the very substance of our life is danger and that hence it is rather affected - not to say ...
... Live alertly , " which would have been good ; but , " Live dangerously . " And this shows that Nietzsche , despite his genius , did not know that the very substance of our life is danger and that hence it is rather affected - not to say ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth