The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 15
He too “ lives ” the scene although with an agitation originating not in the
emotional center , but in the professional surface , of his existence . When we
now put ourselves in the place of the reporter we realize that we have traveled a
long ...
He too “ lives ” the scene although with an agitation originating not in the
emotional center , but in the professional surface , of his existence . When we
now put ourselves in the place of the reporter we realize that we have traveled a
long ...
Pagina 125
We believed that we were the heirs of a magnificent past , and that we could live
on the income of it . We find the future bearing down on us rather harder than it
bore down on previous generations , we look back , according to our wont , for
the ...
We believed that we were the heirs of a magnificent past , and that we could live
on the income of it . We find the future bearing down on us rather harder than it
bore down on previous generations , we look back , according to our wont , for
the ...
Pagina 130
the person who has to live with them , by means of them , and perhaps you spend
your life protesting against the soul with which you were endowedof its lack of will
, for example - as you protest against your bad stomach or of the cold climate ...
the person who has to live with them , by means of them , and perhaps you spend
your life protesting against the soul with which you were endowedof its lack of will
, for example - as you protest against your bad stomach or of the cold climate ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth