The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 15
He does not " live " the scene , he ob- serves it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying ...
He does not " live " the scene , he ob- serves it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying ...
Pagina 125
We believed that we were the heirs of a magnificent past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont ...
We believed that we were the heirs of a magnificent past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont ...
Pagina 130
the person who has to live with them , by means of them , and perhaps you spend your life protesting against the soul with which you were endowed- of its lack of will , for example - as you protest against your bad stomach or of the ...
the person who has to live with them , by means of them , and perhaps you spend your life protesting against the soul with which you were endowed- of its lack of will , for example - as you protest against your bad stomach or of the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth