The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
Pagina 44
To look for fiction as fiction - which , we have said , modern art does — is a
proposition that cannot be executed except with one ' s tongue in one ' s cheek .
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than ...
To look for fiction as fiction - which , we have said , modern art does — is a
proposition that cannot be executed except with one ' s tongue in one ' s cheek .
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than ...
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |