The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In the first case we " live " with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
In the first case we " live " with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
Pagina 44
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first ...
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth