The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 46
... . Were art to redeem man , it could do so only by saving him from the serious- ness of life and restoring him to an unexpected boyishness . The symbol of art is seen again in the magic flute of the Great God Pan which makes the 46.
... . Were art to redeem man , it could do so only by saving him from the serious- ness of life and restoring him to an unexpected boyishness . The symbol of art is seen again in the magic flute of the Great God Pan which makes the 46.
Pagina 54
... magic wand and should be used sparingly by anybody who wants to see things clearly . Imagine a woodsman , the strongest of woodsmen , in the Sahara desert . What good are his bulging muscles and his sharp ax ? A woodsman without woods ...
... magic wand and should be used sparingly by anybody who wants to see things clearly . Imagine a woodsman , the strongest of woodsmen , in the Sahara desert . What good are his bulging muscles and his sharp ax ? A woodsman without woods ...
Pagina 110
... magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth