The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 6
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
Pagina 5
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
Pagina 6
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth