The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 69
... material never saves a work of art , the gold it is made of does not hallow a statue . A work of art lives on its form , not on its material ; the essen- tial grace it emanates springs from its structure , from its organism . The ...
... material never saves a work of art , the gold it is made of does not hallow a statue . A work of art lives on its form , not on its material ; the essen- tial grace it emanates springs from its structure , from its organism . The ...
Pagina 91
... material has passed through the last crucibles . Regarding the material Notes on the Novel 91.
... material has passed through the last crucibles . Regarding the material Notes on the Novel 91.
Pagina 92
José Ortega y Gasset. has passed through the last crucibles . Regarding the material I find some reason for optimism in the following consideration . The material proper of the novel is imaginary psychology . Imaginary psychology ...
José Ortega y Gasset. has passed through the last crucibles . Regarding the material I find some reason for optimism in the following consideration . The material proper of the novel is imaginary psychology . Imaginary psychology ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth