The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 18
... matter , expect anybody to be particularly interested in my valua- tion of the new artistic produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for ...
... matter , expect anybody to be particularly interested in my valua- tion of the new artistic produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for ...
Pagina 21
... matter . That is why he has to drive home the victory by presenting in each case the strangled victim . It may be thought a simple affair to fight shy of reality , but it is by no means easy . There is no difficulty in painting or ...
... matter . That is why he has to drive home the victory by presenting in each case the strangled victim . It may be thought a simple affair to fight shy of reality , but it is by no means easy . There is no difficulty in painting or ...
Pagina 126
... matter . Some discontinuity must therefore intervene , in order that man may renew his feeling of peril , the substance of his life . All his life - saving equipment must fail , he must find nothing to cling to . Then his arms will 126.
... matter . Some discontinuity must therefore intervene , in order that man may renew his feeling of peril , the substance of his life . All his life - saving equipment must fail , he must find nothing to cling to . Then his arms will 126.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth