The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 29
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has 1 learned to extricate himself from the surrounding man ...
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has 1 learned to extricate himself from the surrounding man ...
Pagina 57
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
Pagina 134
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth