The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 30
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
Pagina 31
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.10 In his search for the origin of the metaphor ...
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.10 In his search for the origin of the metaphor ...
Pagina 34
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth