The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 30
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
Pagina 31
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.10 In his search for the origin of the metaphor ...
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.10 In his search for the origin of the metaphor ...
Pagina 34
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth