The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 34
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
Pagina 35
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
Pagina 47
... mind betrays the resolve to accept old age , for the mind reaches plenitude only when the body begins to decline . The triumph of sport marks the victory of the values of youth over the values of age . Note in this context the success ...
... mind betrays the resolve to accept old age , for the mind reaches plenitude only when the body begins to decline . The triumph of sport marks the victory of the values of youth over the values of age . Note in this context the success ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth