The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
Pagina 35
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ” the immanent . A traditional painter painting a portrait claims to have got
...
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ” the immanent . A traditional painter painting a portrait claims to have got
...
Pagina 100
mind ' s eye - quickly from one to the other . Then , it would become clear that the
evolution of painting from Giotto to our own time is a unique and simple action
with a beginning and an end . It is surprising that so elementary a law has guided
...
mind ' s eye - quickly from one to the other . Then , it would become clear that the
evolution of painting from Giotto to our own time is a unique and simple action
with a beginning and an end . It is surprising that so elementary a law has guided
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |