The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things con- sists in that we think the things , that we form ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it .
The relation between our mind and things con- sists in that we think the things , that we form ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it .
Pagina 35
In this way we do not move from the mind to the world . On the contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait ...
In this way we do not move from the mind to the world . On the contrary , we give three - dimensional being to mere patterns , we ob- jectify the subjective , we " worldify " the immanent . A traditional painter painting a portrait ...
Pagina 100
mind's eye - quickly from one to the other . Then , it would become clear that the evolution of painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising that so elementary a law ...
mind's eye - quickly from one to the other . Then , it would become clear that the evolution of painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising that so elementary a law ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth