The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 7
... art also helps the elite to recognize ... modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
... art also helps the elite to recognize ... modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
Pagina 44
... modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the ...
... modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the ...
Pagina 45
... modern art a monotony which must exasperate patience herself . But be that as it may , the con- tradiction between surfeit and enthusiasm now ap- pears resolved . The first is aroused by art as a serious affair , the second is felt for art ...
... modern art a monotony which must exasperate patience herself . But be that as it may , the con- tradiction between surfeit and enthusiasm now ap- pears resolved . The first is aroused by art as a serious affair , the second is felt for art ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth