The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 7
... move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood . Fortunately the aforementioned ...
... move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood . Fortunately the aforementioned ...
Pagina 74
José Ortega y Gasset. L extreme . So slowly does the action move that it seems more like a sequence of ecstatic ... moves 74.
José Ortega y Gasset. L extreme . So slowly does the action move that it seems more like a sequence of ecstatic ... moves 74.
Pagina 79
... move our heart . It is evident that man's destiny is not primarily contemplative ; hence the best condition for con ... moved by the dynamism of an interest , does our perceiving and absorbing power reach a maximum . If this were not so ...
... move our heart . It is evident that man's destiny is not primarily contemplative ; hence the best condition for con ... moved by the dynamism of an interest , does our perceiving and absorbing power reach a maximum . If this were not so ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth