The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 7
Each move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood .
Each move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood .
Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic stillnesses without progress or tension . Reading this " remem- brance of things past " we feel convinced that the permissible measure of slowness is ...
So slowly does the action move that it seems more like a sequence of ecstatic stillnesses without progress or tension . Reading this " remem- brance of things past " we feel convinced that the permissible measure of slowness is ...
Pagina 79
In a concert a piece of music falls flat that , when a blind man plays it in the street , may move our heart . ... Only when it is confined to a secondary part , while the soul is moved by the dynamism of an interest , does our ...
In a concert a piece of music falls flat that , when a blind man plays it in the street , may move our heart . ... Only when it is confined to a secondary part , while the soul is moved by the dynamism of an interest , does our ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth