The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 20
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
Pagina 32
... natural things and wounds or murders them . ནཱ SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
... natural things and wounds or murders them . ནཱ SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
Pagina 100
... natural enough . An abstract idea is ubiqui- tous . The isosceles triangle presents the same as- pect on Earth as on Sirius . On the other hand , a sensuous image bears the indelible mark of its local- ization , that is , the image ...
... natural enough . An abstract idea is ubiqui- tous . The isosceles triangle presents the same as- pect on Earth as on Sirius . On the other hand , a sensuous image bears the indelible mark of its local- ization , that is , the image ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth