The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 57
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
Pagina 84
José Ortega y Gasset. law thanks to which in the aesthetic field the novel is possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it ...
José Ortega y Gasset. law thanks to which in the aesthetic field the novel is possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it ...
Pagina 95
... novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart ...
... novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth