The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 85
The first is easy ; almost any promise finds us ready to enter through the gate the novelist holds open for us . The second is more difficult . The author must build around us a wall without chinks or loopholes through which we might ...
The first is easy ; almost any promise finds us ready to enter through the gate the novelist holds open for us . The second is more difficult . The author must build around us a wall without chinks or loopholes through which we might ...
Pagina 89
Thus the imperative of autopsy follows inevitably from the fact that the novelist finds himself compelled to cover the real world with his imaginary world . If we are not to see a thing , if a thing is to be concealed , we must be shown ...
Thus the imperative of autopsy follows inevitably from the fact that the novelist finds himself compelled to cover the real world with his imaginary world . If we are not to see a thing , if a thing is to be concealed , we must be shown ...
Pagina 90
For this reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are .
For this reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |