The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 105
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
Pagina 110
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Pagina 112
... object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air ...
... object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth