The Dehumanization of Art: And Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 105
of the object and the eye, that is, the hollow space. And since the latter is in front
of the object, it follows that the journey of the pictorial gaze is a retrogression from
the distant— although close by— toward what is contiguous to the eye.
of the object and the eye, that is, the hollow space. And since the latter is in front
of the object, it follows that the journey of the pictorial gaze is a retrogression from
the distant— although close by— toward what is contiguous to the eye.
Pagina 110
power that permits it— even more— obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others. This magic object is light.
It is everywhere single and unique throughout the composition. Here is a
principle ...
power that permits it— even more— obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others. This magic object is light.
It is everywhere single and unique throughout the composition. Here is a
principle ...
Pagina 112
revolve the forms of objects. Rigidly, the ocular apparatus casts its ray directly
forward, without deviating to one side or the other, without preference for any
object. When it lights on something, it does not fix upon it, and, consequently, that
...
revolve the forms of objects. Rigidly, the ocular apparatus casts its ray directly
forward, without deviating to one side or the other, without preference for any
object. When it lights on something, it does not fix upon it, and, consequently, that
...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |