The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 62
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
Pagina 84
... observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
... observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
Pagina 164
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth