The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 38
... observe that artistic sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into ...
... observe that artistic sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into ...
Pagina 62
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
Pagina 167
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth