The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 42
... one's pen and let a flock of questions take off on their winged course . 14. It would be interesting to analyze the psycho- logical mechanisms through which yesterday's art nega- tively affects the art of today . One is obvious : ennui ...
... one's pen and let a flock of questions take off on their winged course . 14. It would be interesting to analyze the psycho- logical mechanisms through which yesterday's art nega- tively affects the art of today . One is obvious : ennui ...
Pagina 44
... one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To ...
... one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To ...
Pagina 68
... one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the royal couple . This point of view ...
... one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the royal couple . This point of view ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth