The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 14
... ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are ...
... ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are ...
Pagina 16
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
Pagina 84
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth