The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 84
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
Pagina 185
... that we should say to ourselves — as , after all , we say to ourselves many a
time in our more ordinary life when our surroundings press upon us , when we
feel lost in a whirlpool of problems : Quietly now ! What meaning has this
command ?
... that we should say to ourselves — as , after all , we say to ourselves many a
time in our more ordinary life when our surroundings press upon us , when we
feel lost in a whirlpool of problems : Quietly now ! What meaning has this
command ?
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth