The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 84
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
Pagina 173
... ourselves in radical opposi- tion to the entire philosophical tradition and make up our minds to deny that thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his ...
... ourselves in radical opposi- tion to the entire philosophical tradition and make up our minds to deny that thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his ...
Pagina 185
... ourselves many a time in our more ordinary life when our surround- ings press upon us , when we feel lost in a whirlpool of problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the ...
... ourselves many a time in our more ordinary life when our surround- ings press upon us , when we feel lost in a whirlpool of problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth