The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 16
... painter , in fine , completely unconcerned , does nothing but keep his eyes open . What is hap- pening here is none of his business ; he is , as it were , a hundred miles removed from it . His is a purely perceptive attitude ; indeed ...
... painter , in fine , completely unconcerned , does nothing but keep his eyes open . What is hap- pening here is none of his business ; he is , as it were , a hundred miles removed from it . His is a purely perceptive attitude ; indeed ...
Pagina 105
... painter . The reader may test for himself this law that governs the movement of pictorial art by a chrono- logical review of the history of painting . In what follows , I limit myself to a few examples that are , as it were , stages on ...
... painter . The reader may test for himself this law that governs the movement of pictorial art by a chrono- logical review of the history of painting . In what follows , I limit myself to a few examples that are , as it were , stages on ...
Pagina 106
... painter has directed an exclusive and analytic gaze at each one of the objects . This accounts for the diverting richness of these Quattrocento catalogues . We never have done with looking at them . We always discover a new little ...
... painter has directed an exclusive and analytic gaze at each one of the objects . This accounts for the diverting richness of these Quattrocento catalogues . We never have done with looking at them . We always discover a new little ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth